ExhibitionOctober 19, 2018

Balthus retrospective

The Fondation Beyeler in Riehen/Basel is devoting a retrospective exhibition to the legendary artist Balthasar Klossowski de Rola (1908–2001), known as Balthus. The show is the first exhibition of Balthus's art in a Swiss museum since 2008 and the first comprehensive presentation of his work anywhere in German-speaking Switzerland. Balthus is viewed as one of the masters of twentieth-century art. In his complex and multifaceted oeuvre, he pursued an artistic approach that embodied an alternative, and a challenge, to modern avant-gardes. In his opposition to prevailing views, he refers to a whole range of art-historical traditions and precursors. Yet in his eccentric detachment from modernism, he developed his own specific avant-garde attitude, which now appears almost postmodern and contemporary. The starting point for the exhibition at the Fondation Beyeler is Balthus's monumental painting Passage du Commerce-Saint-André, from 1952–1954, which has been on permanent loan to the museum for some time. This enigmatic work epitomizes the artist's intensive engagement with the dimensions of space and time in the image, and with their relationship to the figure and the object. With this focus, the exhibition will bring together some fifty important pictures from every phase of Balthus's oeuvre, looking also at the strategies employed in the staging of his often-provocative images, and illuminating the elements of irony and mystery in his work. His pictures combine tranquility with extreme tension, and embody a wealth of contradictions, mingling dream and reality, eroticism and innocence, the factual and the unfathomable, the familiar and the uncanny, in a wholly unique way. The exhibition, on view until January 2019, at the Fondation Beyeler, realized with the support of the artist's family, is curated by Dr. Raphaël Bouvier (Curator) and Michiko Kono (Associate Curator). It will subsequently be shown at the Museo Thyssen-Bornemisza in Madrid.
Balthus retrospective
Balthus retrospective | artnexus