Conceptual art emerged in the 1960s questioning the very nature of the artistic object. For conceptual artists, the idea or concept behind the work is more important than its physical materialization. This freed art from traditional media — painting, sculpture — opening the way to installations, performances, photography, text and any medium capable of conveying an idea. The movement democratized art and challenged the art market system.
Main characteristics
- ●Idea takes precedence over technical execution
- ●Use of text, instructions and documentation
- ●Dematerialization of the art object
- ●Critique of art institutions (museums, galleries)
- ●Viewer participation in constructing meaning
Key works
- One and Three Chairs – Kosuth
- 4'33" – Cage
- The Treachery of Images – Magritte (precursor)